4832 безплатни аудиофайлове за "Magic Words In Weird Language"

Insen scale on C

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

A faster-tempo stereo recording of the Internationale in the Latvian language, with unknown performers.

Sonate en si mineur de Liszt

Sonata no. 15 in d major, op. 28 'pastorale' - iv. rondo. allegro, ma non troppo

Recording of "My Old Dutch" by Albert Chevalier on the Berliner Gramophone label, 1899. Cleaned with Waves X-Noise

日本語: 神戸市歌（2代目、インストゥルメンタル） Kobe City Anthem (2nd, instulmental)

A stereo recording of the Internationale in the Ukrainian language, with unknown performers.

Liszt- sonata In B Minor

日本語: 神戸市歌(初代,1938年制定・1951年廃止)Former Kobe City Anthem(1st. 1938-1951)

Violin Sonata No.5, Op.24 (Beethoven) 3rd movem.

U.S. national anthem as sung by Fred Waring and His Pennsylvanians. 1942.

Violin Sonata No. 5, op. 24 — 2nd movement

Folk ballad Barbara Allen, sung by Hule "Queen" Hines, recorded by John and Ruby Lomax at Florida State Prison

Edited (shortened) recording of "My Old Dutch" by Albert Chevalier on the Berliner Gramophone label, 1899. Cleaned with Waves X-Noise

Violin Sonata No.5, Op.24 (Beethoven), 4th movem.

public domain recording from the library of congress

The Flowers of the Forest

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit

A stereo recording of the Internationale in the Georgian language, performed by "ინტერნაციონალი" სიმფონიური ორკესტრისათვის დაამუშავა დიმიტრი შოსტაკოვიჩმა and edited onto an instrumental recording by the Orchestra of the Bolshoi Theatre.

Nijamadu dana Needana song from Telugu movie Chenchu lakshmi (1943)

Infelice!..e tuo credevi, extrait de l'opéra Ernani de Giuseppe Verdi (1813-1901) interprété par Fédor Chaliapine (1873-1938) en 1910.

Victrola recording of the Manchukuo National Anthem from 1933.

Record number: Zonophone 2155 Vocals: none

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Neapolitan song "Funiculì, funiculà", sung by tenor Francesco Daddi (1864–1945) with piano accompaniment, record released by The Gramophone & Typewriter Ltd., London, United Kingdom in the year 1906 (matrix number: 3569e, face number: 2-52498)

Bach's "Little" Fugue in G Minor, BWV 578 performed by the saxophone section of the United States Army Field Band

Record number: Zonophone 2155 Vocals: none

Nocturne no. 2 in e-flat major, op. 62

Nocturne No. 20 in C-sharp minor, Op. posth.

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.

*26 steps in 72 equal temperament on C. Equal-tempered: 226/72=13/36:1 = 433.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 434.375 cents rather than 433.342. New version a M3 on 85,74 for 433.3251953125 cents rather than 433.342.

*22 steps in 72 equal temperament on C. Equal-tempered: 222/72=11/36:1 = 366.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 365.625 cents rather than 366.674. New version a m3 on 42,85 for 366.6503906250 cents rather than 366.674.

*1 step in 36 equal temperament/6th tone on C. Equal-tempered: 22/72:1 = 33.33 cents. MIDI pitch bend: 85,74

An automated recording found online of a proposed anthem for the Finnish SSR. It is assumed that no actual performers were involved and/or ever recorded a version of this song).

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

w:United States Army Band Brass Quintet recording of w:America The Beautiful from the 2007 album Encore!

O Maria, sei gegrüßt (Gotteslob (1975) 582; Gotteslob (2013) 523)

Sagt an, wer ist doch diese (Gotteslob (1975) 588; Gotteslob (2013) 531)

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

clarinet concerto no. 2 in e-flat major, j. 118 - iii. alla polacca

Edison Blue Amberol #3727. Performed by Edward Meeker.

Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.

Every word in every language: english, part one. Participation welcome - tag your files with "ewiel" (every word in every language).

A12 tuning (12 steps to the perfect twelfth) on C.

A fragment of the work that survived from Nannerl's music book.

Once in Royal David's City

Four-semitone tritone scale on C